21/12

It is wonderfully genuine and, like life, not sweet

Line of Events

Agathe Riedinger’s film does not reproduce romantic clichés. Inconsistent acting and character development that is hard not to relate to. A brilliant script that consciously – with a maturity rarely seen among debuts – steers clear of the play’s convoluted path.

Beautiful cinematography, incredible debut

The director hints at them and then constantly takes us down another path. The reality of this film is a far cry from the black-and-white simplifications we’ve become accustomed to from decades of patriarchal narratives. Here the woman is the subject.

Agathe Riedinger’s film does not reproduce romantic clichés

10/10.. It is wonderfully genuine and, like life, not sweet. Inconsistent acting and character development that is hard not to relate to.

Here the woman is the subject

A brilliant script that consciously – with a maturity rarely seen among debuts – steers clear of the play’s convoluted path. The director hints at them and then constantly takes us down another path. The reality of this film is a far cry from the black-and-white simplifications that patriarchal narratives have accustomed us to for decades.

Beautiful cinematography, incredible debut

10/10.